Red Giant says it has based the stock choices on the real film. Filmmakers also need to decide what print stock, because the characteristics of print stocks will affect how movie-goers see the final film. Deciding what negative stock to shoot on is the first part. Each negative stock has its own characteristics when it comes to color, grain, etc. Remember when movies were (and sometimes still are), for the most part, shot on negative film stocks? When film prints are made, they are made on specialized film stocks, called print stocks, for viewing. This is the part of Magic Bullet Film I like. Next pick a negative stock, then pair it with a print stock. When you apply the filter to the footage, the first thing you have to let the filter know is what kind of footage it’s working with. It has presets for 22 negative stocks and 4 print stocks, which ultimately allows for 88 different looks based on the negative/print stock chosen. It helps videographers take digital footage and emulate film stocks. Magic Bullet Film 1.0, as the version number denotes, is new. This time, let’s look at Magic Bullet Film 1.0. Magic Bullet Suite 12 consists of 7 different titles: Magic Bullet Looks 3.0, Colorista III, Mojo 2, Cosmo 2, Magic Bullet Film, DeNoiser II, and LUT Buddy. Red Giant Software has released Magic Bullet Suite 12 let’s take a look.
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